EVERETT FINE ART

Making a carved and gilded frame @johndaviesframin

Compo Vs carved frames…what’s the differences and

Why 19th century engagings and lithographs appears

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Tackling 2 very different problems on 2 canvases o

Joining this broken 17th century panel offers a re

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Little important details in family portraits and w

Apologies for going down this particular worm-hole

This adorable family portrait c1810 by Maria Spils

Unwrapping a group of early 18th century family po

Rather like the paintings that we restore, frames

2 canvases the same age (1920 English) but aging v

Searching for frame to match the date and origin o

More modern canvases often throw up all sorts of i

Unforeseen old damages often lurk beneath dirty an

Who doesn’t like removing the gunk and grime! If I

The most common problems with panels and what usua

The history of the silhouette, even the name, is b

Reducing the need for conservation is possible but